Word: shootings
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...weather was so bad, you couldn’t go out there expecting to shoot a good score, [so] you had to go out there and really focus on each shot,” Balmert said. “Maybe because of the conditions I focused more than I usually do, so my score came out better than it usually does. I guess some days all your good shots come together into one good round...
...Personally, I think it's great. They saved the movie. Those were things I was saying the whole time we were shooting, saying that we should shoot them anyway just in case you change your mind. And then they were like, "Well, no, we're trying to keep this PG," so they restricted my cursing and restricted the gore. It was kind of a waste of time. It's kind of like them changing the name of the movie. It's stupid. "Oh we don't want to give too much away." Of course you do! You want people...
...Rookies John Christensen and Michael Shore finished No. 28 and No. 31 individually. Christensen rebounded from rounds of 84 and 83 to close out the tournament with a 73, while Shore performed similarly with a 241 overall—just one stroke behind his classmate. “To shoot that as a freshman in the Ivy League championship,” Hynes said of Christensen’s round, “is obviously commendable. The fact that [Christensen and Shore] played like they did, it means they are going to be that much better next year...
...used to seeing murderous Mafioses portrayed in movies. Many audience members may not quite be ready for the loving jokiness Weitz displays towards his terrorist characters, and perhaps understandably so. In one of the film’s first shots of a terrorist training camp, the terrorists are shooting a training video for recruitment purposes. “Let’s shoot this puppy!” enthuses the director, in a fake, exaggerated Middle-eastern accent.Later, the terrorists watch spellbound as Omar wins successive elimination rounds on “American Dreamz.” In the last...
...Omar, a still-learning terrorist who is supposed to infiltrate “American Dreamz,” but becomes caught up in his love of show tunes. The making of the film itself was a challenge for Weitz, who had a small budget from Universal, a 40-day shoot (the director’s longest), and a legitimately large cast—regardless of how many of these actors he had worked with previously. His relationship with his actors is of particular note in Hollywood, where it is uncommon for friendships to emerge. Weitz says that...