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...John Wayne, 99 if he were still alive, tied for #3 last year. His final film: The Shootist...

Author: /time Magazine | Title: John Wayne: Still Tops | 1/19/2007 | See Source »

Meanwhile, renowned shootist Wild Bill Hickok (Keith Carradine) has come to town with his retinue. (Most of the leading characters are based on real people.) To Swearengen, the formula is simple: former lawman + gunfighter = nascent police force, especially when the two stumble on a massacre-robbery perpetrated by "road agents" working for him. It seems, though, that Bullock just wants to kick his law habit and make a dollar, and Hickok, to drink and gamble his way into oblivion. "Hickok was acutely aware of his time having passed," says Carradine. "He had outlived his usefulness." Throw in abused prostitute Trixie...

Author: /time Magazine | Title: Television: True Grit | 3/22/2004 | See Source »

...national institution. Congress ordered a gold medal struck for him just before he died of cancer last week, and he was never more gallant than when he made his final public appearance at this year's Oscar ceremony. Three years ago, John Wayne's last movie, The Shootist, was released. It was about a dying gun fighter facing up to the end of his life. It was not an entirely successful valedictory for its star, but in it the screenwriters produced some lines that came easily to Wayne. To the boy he is teaching how to handle...

Author: /time Magazine | Title: Show Business: Duke: Images from a Lifetime | 6/25/1979 | See Source »

...Shootist is deliberately low-keyed and sometimes affecting. But it is hampered by a sentimental, overwrought script and, finally, by its own reserve. The movie keeps the rigid bearing of a kid trying to sit still at a wake...

Author: /time Magazine | Title: Cinema: Dying in the Saddle | 8/30/1976 | See Source »

Besides the welcome participation of Stewart, The Shootist features Lauren Bacall, Richard Boone, Scatman Crothers, John Carradine and Ron Howard, of American Graffiti, whose youthful presence must have helped ease the insurance premiums on the cast. Wayne, of course, is the honcho, and he performs well, although he must have been a little discomfited at having to play the lead in his own eulogy. Siegel starts The Shootist off with film clips to show Books in action over the years. The scenes, of course, are from previous Wayne vehicles. Some are of rather recent vintage, others antique, but they pertain...

Author: /time Magazine | Title: Cinema: Dying in the Saddle | 8/30/1976 | See Source »

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