Word: shore
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Dates: during 1940-1949
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...Juan Bay when the right engine, pounding for altitude, sputtered and conked out. There was no chance to get back to the field; Pilot Cockrill made the best of his only choice. He set the plane down on its belly into the mottled, moonlit sea, a mile from shore, 400 yards from a small island. The lights went out. In the black horror of the cabin many of the Puerto Ricans, chained to their seats by terror, just prayed and waited...
...days were warm and pleasant, the nights were still cool, and U.S. citizens began to think happily of summer vacations in the mountains, on the shore, or pounding along the nation's sun-shimmering highways. For a change, there was hope in the international air, too. In the smiling rose garden back of the White House, Harry Truman spoke to a group of war correspondents who were off to revisit the wreckage-strewn Normandy beaches on the fifth anniversary of Dday...
...class, chose civil-engineering duty. This will spare both him and the Navy the potential embarrassments of the close-packed life of seagoing wardrooms. It will also get him a postgraduate engineering course at Rensselaer Polytechnic Institute before he goes to duty in a Navy shore establishment. He deplored the fuss about him: "I don't think the American public has matured enough to accept a person on the basis of his ability and not regard him as an oddity . . . just because of his color. I'm just an average...
Honor Balfour cabled: "This is a conference of worried men. From back-street boarding houses to the big, red brick Cliffs Hotel on the upper-class north shore, there's a sense of disquiet, restiveness, uncertainty. Gone are the days when delegates huddled in eager groups in cafes and lounges, heads thrust forward in lively argument, eyes shining in anticipation of a great crusade. Gone are the more recent days when, flushed with new power, they sank into easy chairs and sprawled in happy discussion, secure in the knowledge that an order to their parliamentary steamroller would change...
...sensitive and powerful expression of the artist's feeling? Right, wrong, social value, middle-class morality etc. should never enter into artistic criticism. Granted, artists are deeply concerned with moral issues: their concern should not concern us expect insofar as it contributes to the aesthetic value. "Forever Amber" and "Shore Leave" can and should be condemned only from this aesthetic standpoint, any other criticisms must be recognized as moral ones. Morality is the brass knuckles of artistic criticism...