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...DeLong pier. Three hundred feet by 90 ft., it was towed from South Carolina, arrived Oct. 30, and was in use 45 days later. To anchor it, caissons were sunk 138 ft. into the bay's sandy bottom; an 850-ft.-long causeway from shore to pier was fashioned out of 27,500 cu. yds. of rock that had to be blasted out of a nearby hill. "It was the most spectacular and important project we've had to date," said Colonel Hart. It also was one of the most urgently needed: before the new pier...

Author: /time Magazine | Title: Armed Forces: Essayons! | 2/11/1966 | See Source »

...just as I am." Bancroft retaliates by spelling out her problem in flashbacks, and the gist of the fiction is that her husband (Steven Hill) rejected her when he discovered that he was not the father of their son. Awash in self-pity, she wanders down to the shore and demonstrates her love of life by buying brandy for a sick bird. By the time the bird dies, Slender Thread has been holding up the line far too long for a film that has nothing on its mind but a sob story...

Author: /time Magazine | Title: Cinema: Telephone Tie-Up | 1/14/1966 | See Source »

First Call. The facility's basic plant, the ninth domestic petrochemical operation for fast-growing Phillips, will be erected on 400 acres of sugar-cane fields in Guayama district on Puerto Rico's south shore. Phillips will invest $45 million in the core plant, receive a twelve-year tax forgiveness, get on stream in 21 months. Then the company will reinvest its earnings for ten years (to a total of $55 million) in a string of satellite petrochemical plants on 2,600 surrounding acres. The satellites will be owned jointly by Phillips, other U.S. companies and Puerto Rican...

Author: /time Magazine | Title: Oil: Growth Amid the Sugar Cane | 1/7/1966 | See Source »

Strausz-Hupé is now director of the University of Pennsylvania's Foreign Policy Research Institute. More scholar than ideologue, he utters no manifestos but offers in comment and anecdote a system of conservative attitudes to shore against the century's ruins...

Author: /time Magazine | Title: Books: Unprogressive Pilgrim | 12/24/1965 | See Source »

...setting changes to an unspoiled beach where water, previously shown as polluted, is shown as clear and clean. The small, white sailboat which appears, in contrast to the grimy oil tankers which have drifted through the film before, represents escape and freedom. The rock formations along the shore, like the rocks in L'Aventurra, have a shape and character which nearly animates them. Antonioni, by this purely visual statement, gives us an idyllic alternative with which to measure the industrial world, either sordid or sterile, in which we live...

Author: By Daniel J. Singal, | Title: The Red Desert | 12/14/1965 | See Source »

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