Word: shortly
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...even if it's different from Roald Dahl's children's story about a fox clever enough to outwit three mean farmers named Boggis, Bunce and Bean, one fat, one short, one lean (no one can say that just once). Dahl's spirit is there, but the cinematic Fantastic Mr. Fox comes fortified with Andersonian pouting, parental issues, self doubt and philosophical conundrums. "Who am I, Kylie?" Mr. Fox (voiced by George Clooney) muses to the sidekick Anderson has created for him, an opossum voiced by Wally Wolodarksy - then clarifies: "I'm saying this as an existential question." (Read about...
...question arises because Mr. Fox, who it must be noted wears slightly too tight, too short suits made of corduroy or tweed, just like his director, is feeling stymied. In a prologue, set two years before our story begins (that's 12 fox years), Mrs. Fox (Meryl Streep), announces she's pregnant and forces him to give up fowl thievery for a safer profession. Now he's a newspaper columnist (which hardly qualifies as safer), but he longs to return to the hunt, specifically to Boggis, Bunce and Bean's farms, all of which are laid out in glorious, tempting...
Certainly, the parallels between Don Draper’s time and ours are unavoidable. There is the new, handsome, and inspirational President and the overwhelming sense of great change (and potentially, calamity) on the horizon. Direct comparisons fall short, however, if signaled by nothing more than the tragedy of President Kennedy’s assassination. With his death it becomes clear that although we do not know how the lives of Mad Men’s characters will turn out, we are, relatively speaking, omniscient to the impending historical events that will undoubtedly shape their lives, quite the opposite from...
...Krasinski—who also directs the movie—Test Subject #20 (real name: Ryan) is just one of many confused and impetuous males to find themselves uncomfortably put on the spot by Ivy League graduate student named Sara. Krasinski’s eponymous adaptation of a 1999 short story collection by the late David Foster Wallace takes the blunt emotional starkness of the written interviews and puts them into motion on the screen in such a way that the audience can’t help but feel directly addressed by each subject. The film—a short...
...beauty of “Interviews” is the ease with which Krasinski’s cast makes Wallace’s almost untouched text spring to life, highlighting the rhythm of the short stories and giving each narrator a distinctive personality. One scene which occurs outside the interview room involves a conversation between two businessmen, which perfectly tunes Wallace’s prose to their bitten-off speech patterns. Test Subject #3 (Christopher Meloni) brings a bitterly funny tale to life when he launches into the colorful story of seeing a girl crying on the ground at Dayton...