Word: shortness
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Dates: during 1920-1929
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...scene fails to mitigate Playwright Paul Osborn's long, tedious stretches. This idle melodrama is the second presentation of the New York Theatre Assembly which, sponsored by wealthy, smart Manhattanites, exists to present "amusing plays, in an intimate theatre, before a selected audience." A Ledge follows an exceedingly short-lived comedy called Lolly (TIME...
...time he has ostensibly been a musical handyman, editing Musical America, which under his regime went bankrupt, writing miscellaneous articles for magazines, expounding opera on the radio (TIME, Nov. 18). In secret he has struggled with the commissioned opera. His first choice of subject was Candle Follows his Nose, short story by his one-time (New York World) colleague Columnist Heywood Broun. Last spring he announced that he had shelved Candle in favor of Street Scene (TIME, March 18), current Pulitzer-prizewinning play by Elmer Rice, about Manhattan tene- ment life. Last week he announced that he had again changed...
...lifelong student of language, Laureate Bridges has now justified his reputation. The English language, unlike Latin, Greek or French, is supposedly incapable of quantitative versification: i. e., the scansion of English verse is not dependent on "long" or "short" syllables since there is no such formal distinction between syllables in English. Sensitive ears, like those of Laureate Bridges, however, permit a treatment of English as Virgil treated Latin, with heed to both "long" and "short" syllables. When he speaks of "loose alexandrines" he is cracking a scholarly joke, for his careful quantitative measurement makes every line scan perfectly. The spelling...
...demonstrable by the fact that the present American stage is largely controlled by former members of the Forty Seven Workshop. The ante-dated conservative atmosphere which the teaching of the drama has now assumed at Harvard indicates that its present predominance in the theatre can not help but be short lived...
...necessarily attends with some misgivings a musical comedy whose scenes are located in imaginary realms of the nether Balkans. One needs only a short time at "The Duchess of Chicago" at the Shubert to realize that those misgivings were justified. The inevitable unrecognized prince is there; so are the dulcet-voiced prime minister and the financial adviser with a foreign accent. The plot (devised in Europe), evidently an outgrowth of the violent anti-Shylock days, is based on the poverty of the prince and the exuitant power of American money in buying his palace and its traditions. Into this...