Word: shosanna
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...acting is flawless across the cast (has there ever been a poor performance in a Tarantino movie?); Waltz has rightly received the majority of the plaudits for his stunning and terrifyingly likeable portrayal of Landa, but there are numerous other standouts. Mélanie Laurent particularly shines as Shosanna Dreyfus, the only survivor of the opening massacre, convincingly alternating between terror at the prospect of encountering Landa and extraordinary bitterness at the way she has been treated by the Germans. As much as the characters contribute, the small details and Tarantino’s directorial vision are what make...
...officer, Colonel Hans Landa (Christoph Waltz), is a nastily smooth operator: oozing charm like pus, with a courtly tone and a preening self-regard. Known as the Jew Hunter, he calls himself a detective, trying to stop a war crime. Among his suspects are a French Jewess, Shosanna Dreyfus (Mélanie Laurent), who has escaped Landa's grasp and now runs a movie theater in Paris; and Bridget Von Hammersmark (Diane Kruger), a leading lady of German cinema who is secretly in league with British intelligence. Many Tarantino movies are female revenge fantasies, in which strong women plot...
...milk for the other, you feel nooses tightening around their necks and yours. In these scenes and another in a basement bar where the smallest wrong gesture cues a bloodbath, Tarantino shows how to achieve drama through whispers and forced smiles. The parallel plot of a budding romance between Shosanna and a German war hero (Daniel Brühl) has a similar trajectory - the pot simmers, then the lid blows off - and the same artful mix of subtlety and surprise. These vignettes work much better than the big set pieces, with the Nazis in the movie theater or the Basterds...
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