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...premier classical music groups will come to you. This Sunday, the Boston Philharmonic Orchestra and the Boston Chamber Music Society will both perform in Sanders Theatre. Eighteen-year-old violinist Caitlin Tully will solo for the Boston Philharmonic Orchestra, conducted by Benjamin Zander, in an afternoon performance of Shostakovich??s “First Violin Concerto.” According to Tully’s website, Yehudi Menuhin, one of the foremost violinists of the 20th century, said of the performer at age 10 that “she plays with more integrity than any young violinist...

Author: By Alexander B. Fabry, CONTRIBUTING WRITER | Title: Boston Philharmonic Orchestra and Boston Chamber Music Society | 4/26/2006 | See Source »

...four pieces: Brahms’ “Sonata N.1 E Minor,” Arensky’s “Trio in D Minor, Op. 32,” Schumann’s “Five Pieces in Folk-style, Op. 102,” and Shostakovich??s “Piano Trio N.2 in E Minor.”Gutman writes in a translated e-mail that in her Harvard recital she wants to “show and compare the Romanticism of Russian composer Arensky, pupil of Tchaikovsky, who is not well known...

Author: By Kristina M. Moore, CRIMSON STAFF WRITER | Title: Russian Cellist Natalia Gutman to Begin US Tour | 1/21/2006 | See Source »

Violins, viola and cello, all with the last name of Ying, will perform Arensky’s Quartet in G Major, Op. 11; Shostakovich??s Quartet No. 5, Op. 92; and Brahms’ Sextet in B flat Major, Op. 18 among others. Tickets available from the Harvard Box Office. Free. 8 p.m. Paine Hall, Music Building...

Author: NO WRITER ATTRIBUTED | Title: Happening | 10/29/2004 | See Source »

...annual Winter Concert. The program includes David T. Little’s “Immolation;” W.A. Mozart’s Piano Concerto No. 21 “Elvira Madigan” performed by Wei-Hsun Yuan, winner of the MSO Freshman Concerto Competition; and Dmitri Shostakovich??s Symphony No. 9. Tickets $9 regular, $7 students (2 per ID). 8 p.m. Paine Hall...

Author: By The Crimson Staff, THE CRIMSON STAFF | Title: Happenings | 3/12/2004 | See Source »

...from the rest of the orchestra, and we really only interact with each other. Being a percussionist also means doing lots of waiting. My section probably has the best rest counters and listeners in the whole orchestra simply because we play so little. For example, my cymbal part for Shostakovich??s Symphony No. 5 doesn’t even begin until a good nine minutes into the first movement. The five of us, my four first-year section mates and I, know the second violin part down pat from peering over the shoulders of the last stand...

Author: By Jessica S. Zdeb, CRIMSON STAFF WRITER | Title: I Love It, I Want It | 11/6/2003 | See Source »

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