Word: shostakovich
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More important, Cliburn is no isolated U.S. phenomenon, as suggested in a party-processed statement by Russian Composer Dmitry Shostakovich: "Musical circles in the United States have a right to be proud ... of their young countryman, especially since until now the musical successes of that country resulted not from the efforts of Americans but of famous performers of European countries." Van's victory dramatically underscored that there is more first-rate native instrumental talent in the U.S. than in the whole of Europe. Moreover, the talent is younger. In Cliburn's generation there are at least nine pianists...
...Russians, still slightly incredulous that any U.S.-trained pianist could be so good, who decided that he was ready for the big time. The night before Composer Dmitry Shostakovich was to hand out the first prize-25,000 rubles, or $6,250 at the official rate-Moscow leaked the winner's name: Van Cliburn. Said Pianist Cliburn: "I can't believe it." Then, noting the 10 lbs. he had lost during his harrowing two weeks of competition, he added: "I'd like to go back to Texas. I'm just about to break down...
...country's ballet degenerated for a time into choreographed political posters, continued to develop impressive technical skill. But it lived in a world apart from the fresh dance ideas that swept through Europe and the U.S. Later, the major companies commissioned works by modern composers, including Prokofiev, Shostakovich, Khachaturian, but all three tailored their music to the classic choreographic idiom. The Russians' failure in modern productions became most evident during the Bolshoi Ballet's otherwise hugely successful 1956 season at London's Covent Garden. The company expertly paraded such gorgeous old floats as Swan Lake...
Leonard Bernstein had not learned a new piano work in five years, but last week was special; he was making his first appearance with the New York Philharmonic since his appointment as its new permanent conductor and musical director. Lennie spent the weekend whipping Dmitry Shostakovich's new Concerto No. 2 for Piano and Orchestra into final shape for its U.S. premi...
...Shostakovich wrote his concerto for his 19-year-old son Maxim, who is a pianist but reportedly not an outstanding one. Pop's 15-minute exercise jittered and jumped in its two fast movements, meandered sweetly and slushily in its slow movement. The work was so far from the bite and sparkle of Shostakovich's first piano concerto (1933) that no one could decide whether the five-finger exercises with which it ended were an attempt at wit or merely a concession to Maxim's halting progress. But Bernstein piled through the piece just...