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...discs to worry about film. But last fortnight London's Society for Cultural Relations with the U. S. S. R. showed Londoners that the Soviet Government had been pioneering in film records. At the Academy Movie Theatre 5,000 feet of Soviet musical film were unreeled, reproducing Shostakovich's entire Fifth Symphony, a Song of Jubilation by 40-year-old Soviet Composer Alexander Veprik, a scattering of shorter compositions...

Author: /time Magazine | Title: Music: Music on Film | 12/11/1939 | See Source »

Album of Fantasias (Grace Castagnetta, pianist; Timely*: 8 sides). An anthology including works by Haydn, Beethoven, Schumann, Brahms, Scriabin and Shostakovich, some of them previously unrecorded. Capably performed, magnificently recorded, with an explanatory pamphlet by Author Hendrik Van Loon...

Author: /time Magazine | Title: Music: April Records | 4/10/1939 | See Source »

...month salary, the Illinois Symphony actually began to pile up a profit at the box office. The size of this profit put it in a different class from most other WPA orchestras, enabled it to pay the high performance royalties asked by such ace contemporary composers as Dmitri Shostakovich, Serge Prokofieff, Paul Hindemith, Jean Sibelius...

Author: /time Magazine | Title: Music: WPA Maestro | 3/27/1939 | See Source »

...before the promised new era was well launched in Europe, musical modernism was in trouble with the dictators, who objected to it as: 1) extreme individualism, 2) an unsettling symptom of unrest. In 1936 Soviet Russia joined the procession, banning as "leftist" the works of Dmitri Shostakovich, and declaring that the "formalistic ideas" of modernistic music were "founded on bourgeois musical conceptions" (TIME...

Author: /time Magazine | Title: Music: Reaction | 5/9/1938 | See Source »

Radio listeners, as well as the 1,300 who filled NBC's Studio 8H, found that Composer Shostakovich had backtracked with a vengeance. His Fifth Symphony avoided the boisterous clatter that had marred his earlier "May Day" Symphony (No. 3). returned to the vitality and sincerity of the First Symphony which made him famous ten years ago. Dominant influences observable in it were not those of post-War modernists but of such romantic symphonists as the late Gustav Mahler...

Author: /time Magazine | Title: Music: New Symphonies | 4/18/1938 | See Source »

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