Word: shotgunned
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SANTA FE RAILROAD, longest in the U.S. (TIME, May 23), will expand again. For $9,963,000 the Santa Fe bought 73,800 shares (82%) of the Toledo, Peoria & Western Railroad from the estate of George P. McNear Jr., whose death by a shotgun blast during a 1947 strike is still unsolved. With the 239-mile T.P. & W., which bridges central Illinois and ties in with the Santa Fe tracks at Lomax, Ill., the Santa Fe can bypass crowded Chicago switchyards with transcontinental freight, save up to eight hours on New York deliveries...
...character who called himself Colonel Martin Snyder. Actually, the colonel had been born Moses Snyder in a West Side slum, and the closest he had come to the military life was in the Chicago gang wars. Known familiarly as "The Gimp" because of a pronounced limp attributed to 17 shotgun slugs in his leg, Snyder soon proved his ability as a show-business Svengali. He married Ruth and managed her from dingy nightspots to nationwide popularity. But the incessant obbligato to her torch songs was Snyder's fearsome behind-the-scenes frenzies. Mostly, his uncontrolled temper was directed...
...Roosevelt's first term, there have been people in the South who tried to be Democrats in the state and Republicans nationally. If those characters lived in Peoria, they'd be Republicans. That's what they ought to be. We've got rid of the shotgun [the loyalty oath]; now we're working with a rifle to pick off the worst ones...
...Warner hits, Casablanca, King's Row, and Cheyenne, the series allots Warner six minutes per show to plug current pictures, gives ABC a major source of weekly readymades. The on-again-off-again love affair between TV and the moviemakers is plainly on again. Simple economics served as shotgun to the merger. Television has knocked out Hollywood's staple product, the inexpensive cops-and-robbers "B" picture. Since 1950, moviemakers have turned to fewer (by 39%) and bigger movies, leaving highly paid cameramen, contract actors and a horde of stagehands in the slack time. Warner's venture...
...comic elements, in the hands of other playwrights, could certainly lead to chaos. Indeed, even Teichmann and Kaufman have over-reached themselves in the girdle episode, which, besides being irrelevant, is largely unfunny. But on the whole, Cadillac's material stays admirably cohesive. The authors may be using a shotgun instead of a rifle, but their target is the large one of sustained humor rather than the pin-point of specific ridicule. And the laughs are constant all evening...