Word: shouldn
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Dates: during 1950-1959
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...instead of 65, and on a pension higher than the companies' $72 a month. Argued Metal Drainsman Ed Winters: "I'd like to see a retirement plan that starts after 25 years. Make that 20 years. That's what civil service has-why shouldn't we?" The steelman also wants enlarged health insurance to cover doctor bills short of hospitalization and to carry on after retirement. "That's when you need it most," said an Inland Steel worker...
During a tour of the U.S. in 1955, Adzhubei refused to answer tough questions from American newsmen about Russia, but generally radiated good will, quipped as he made a small wager at a Reno gambling table: "I probably shouldn't do this-I might make a million." (He didn't.) As editorial boss of Izvestia (circ. 1,800,000). Adzhubei may some day give the monolithic Pravda (5,560,000) a run for its kopecks...
...Floors curve into walls and walls into ceilings, with no inter ruption and no corners. Designed for shoeless clambering, the interior is a plexus of balcony hideaways, ramps, hanging screens, near-flat areas with shelves for seats, and even a waterfall in the master bedroom. "Of course a building shouldn't be a box," Kiesler explained last week, perching by his model like a bird overlooking its nest. "It shouldn't be candy either-the candy engineering they're doing now. It needs to be flowing and opening, getting louder and softer, opening out and moving...
...There's no reason why realism shouldn't be poetic in its effect... But now that Kazan is beginning to impose on realistic plays like Sweet Bird and Cat [on a Hot Tin Roof] an operatic style, I think it's dangerous and forced." The mainstream of American drama ("I hate to use phrases like 'mainstream,'" says Tynan) has to do with "observable reality. I think--let's be frank--that Kazan has moved too far away from that without the moral or social realities that are necessary to sustain it. Even in a play like Our Town ... the performances...
...over the theatrical map. Discussing playwrights unjustly neglected on the commercial stage, he nominated Brecht first of all, added Ibsen, Pirandello and Wedekind, and commented that "Giraudoux has been not neglected, but so often misinterpreted that it's worse than neglect." Jean Genet to Tynan is "a natural, who shouldn't be imitated... He's a bad model but an interesting artist"; Eugene Ionesco is "bright as a button, but he's not a messiah of the drama...