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Word: shoutes (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...dinner table, and they'd look out the dining-room window and see the planes coming over the trees headed toward the house. That sort of thing you get sensitive about." Even Griggs's wife, who is so hard of hearing that "you had to virtually shout in her ear," was awakened by the planes' vibrations. Windows rattled; plaster fell in the living and dining rooms. Running from one side of the house to another, Lawyer Griggs chased after the planes to note their markings so that he could substantiate his complaints with the airlines...

Author: /time Magazine | Title: The City: The Age of Noise | 3/16/1962 | See Source »

...greatest tribute The Playboy has received was the riot it occasioned at its Dublin opening in 1907. The Irish nationalists who felt so keenly that the play represented an insult to the honor of their country that they had to shout down the actors were justified. The immorality of Synge's peasants (they admire a murderer and use words like "shift") was only the ostensible cause of the outrage; what fired the wrath of the groundlings was the fact that Synges' peasants are neither squalid nor maudlin, are not, in other words, the stock stage peasants. (Lorca is the only...

Author: By Allan Katz, | Title: Playboy of Western World | 3/9/1962 | See Source »

...example, go to Judgment at Nuremberg (at the Saxon, LI 2-4600) if you want to relax. Too many characters in it rant and shout; too often the camera sweeps in dizzying circles. One is left physically exhausted at the end. But it is, perhaps, worth it to see Judy Garland gone to seed (way over the rainbow) and hear Marlene Dietrich sing a snatch of Lili Marlene. The producers of the film undoubtedly think they have made the epic of the decade and solved all possible moral questions of Nazi Germany...

Author: NO WRITER ATTRIBUTED | Title: WHAT TO SEE | 3/9/1962 | See Source »

...Shout. Newspaperman always shout no matters what they're doing...

Author: NO WRITER ATTRIBUTED | Title: HEY GANG.... | 2/19/1962 | See Source »

...scene begins with Jones, the typical fink-hero of Thirties comedy, murdering a song, when out of nowhere and for no apparent reason comes a huge collection of the kind of Negroes you don't see any more in the movies. They are ragged, they roll their eyes, they shout "Who dat man?" with religious ecstasy, and they are full of rhythm. At the end of the film they reappear, marching down the racetrack behind the Marx boys, shouting, "All God's chillun got money...

Author: By Michael S. Lottman, | Title: A Day at the Races and Meet Me in St. Louis | 2/15/1962 | See Source »

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