Word: shouting
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Wright on most counts is basically honest and decent. He has the right to shout into the rising storm that is battering him that he should not be judged guilty until he is tried. It is logical for him to mount a tactical defense detailing dates, times, dollars, his service to the House for 34 years. These are the tidy rituals of comradeship and parliamentary procedure that are so dear and so binding to those denizens of the Capitol. Wright is correct that the media convulsion about human rectitude or the lack of it is unrealistic, often unfair...
...speaking in class. "Gov Jocks" should not be allowed to dominate, and everyone should be heard. Part of the problem can be addressed with greater teacher sensitivity, and the department should provide appropriate training. The other part belongs to students: "gov jocks" must take care to listen and not shout down other students' input. Women have to speak...
...wasn't afraid to show her colors. Or shout, "Go, Gophers...
...novel a welltold story, but it also has a poetic quality that barely misses overdescription. In one scene, Doctorow depicts a Bronx market, with "every one of the merchants competing with the same oranges and apples and tangerines and peaches and plums for the same prices," and where merchants shout out their prices. "They called Missus, look, I got the best, feel this grapefruit, fresh Georgia peaches just in. They talked they cajoled and the women shopping talked back...
Ruth Brown, who can still shout down the rafters in St. Louis Blues, shows her kittenish side and trademark mock anger in the double entendre If I Can't Sell It, I'll Keep Sittin' on It. Her husky, lisping Body and Soul, however, comes off as a Carol Channing impersonation. Linda Hopkins, a 1972 Tony winner (Inner City), finds dignity in Come Sunday but loses it in her gleeful giggling about wife beating in T'aint Nobody's Bizness if I Do. While Carrie Smith displays a howitzer voice in I Want a Big Butter...