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Harris' speech handicap makes it impossible for Ken Hughes to offer any vision of Cromwell the private man, since domestic scenes have to be played at less than a shout, and a hoarse whisper is the only alternative to a shout that Harris can come up with. I stress this failing not to slur Harris (indeed, Cromwell by the end of his career was probably hoarse too!): rather, I bring it up as a factor crucial in explaining why the ideological bias of the movie-strongly pro-Cromwell-fails to work convincingly in actual dramatic interchange...

Author: By James M. Lewis, | Title: Films Cromwell at the Pi Alley Theatre | 1/13/1971 | See Source »

...been committed and then frozen into print. For all its renegade appeal, the daring new journalism often resulted in being only complacent and self-serving. As if the reader's recognition of the writer's skill and cleverness in catching his victims unawares was justification enough for us to shout jaccuse...

Author: By Gregg J. Kilday, | Title: Hour of Tom Wolfe Chic-er Than Thou | 12/10/1970 | See Source »

...primary of the 1972 campaign, a highly visible front runner might feel vulnerable to the dangers of peaking too early and of making mistakes. "Not at all," Muskie says. "Now I have an enormous sense of independence. Now I don't have to strive to get attention, to shout and resort to gimmicks. It's so much easier to be myself. It's a question of style. I like to do things in a quieter, more meaningful way. Now I can do things...

Author: /time Magazine | Title: Nation: The Importance of Being Muskie | 11/30/1970 | See Source »

...traditional German helmet, discusses height: "Tall people bump their heads a lot and short people don't." Carol Burnett describes the various virtues of the nose, forgets one, and then remembers­just in time to sneeze. James Earl Jones recites the alphabet­so slowly that the kids impatiently shout the letters at the screen...

Author: /time Magazine | Title: Television: Who's Afraid of Big, Bad TV? | 11/23/1970 | See Source »

...says, but he took strength from their patience and from the dictum of Margaret Leighton (his TV Gertrude) that rehearsals are the place to make a"bloody fool" of yourself. As he got deeper into the play, he discovered that "my own character was liberated, I was able to shout and cry-things I'd always been too self-conscious to do before...

Author: /time Magazine | Title: Television: Kildare as Hamlet | 11/16/1970 | See Source »

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