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...Woody Herman's resuscitated band is so good that not even the great "First Herd" that Herman organized during World War II could have matched it. The aggregation speaks in a shout (as a good band should), and the rhythm section that propels it-Bassist Chuck Andrus, Drummer Jake Hanna and Pianist Nat Pierce-has enough drive and distinction to make three-quarters of an excellent quartet. All 15 players are occasional soloists, and Woody, at 50, yields to their youth. "I just duck and get out of the way," he says. > Lionel Hampton, 50, has always been...

Author: /time Magazine | Title: Jazz: Big-Band Renaissance | 3/27/1964 | See Source »

...shirtfront--ripping it and straining himself--and dragged me back into the interrogation room (there I noticed that the police escort had drawn guns on the other dozen or so prisoners and everyone seemed quite nervous). All this time the deputy had kept up a high pitch shout of "Yassuh, you sonovabitch! Yassuh, you black bastard! Say YASSUH!" Now he reached into his desk drawer and I perceived that pronouncing two syllables could save me a pistol whipping. The hell with it, I thought--"Yes sir." He stood there breathing heavily and looking down for a good minute... "Get away...

Author: By Claude Weaver, | Title: Letters From The Delta: Ole Miss As Police State | 3/13/1964 | See Source »

...minor characters, however, are either very good or very bad. Philip Heckscher is excellent in his two small parts, as are Arthur Friedman and Peter Weil as Lancaster and Warwick. They shout too much sometimes, but they pace their dialogues briskly and well. Mark Bramhall, Michael Sargent, and David Evett also play with distinction. Other minor characters tend to forget their blocking or to overact...

Author: By Max Byrd, | Title: King Edward II | 3/6/1964 | See Source »

Monk's lifework of 57 compositions is a diabolical and witty self-portrait, a string of stark snapshots of his life in New York. Changing meters, unique harmonies and oddly voiced chords create the effect of a desperate conversation in some other language, a fit of drunken laughter, a shout from a park at night. His melodies make mocking twins of naivete and cynicism, of ridicule and fond memory. Ruby, My Dear and Nutty are likably simple; Off Minor and Trinkle Tinkle are so complex that among pianists only Monk and his early protege, Bud Powell, have been able...

Author: /time Magazine | Title: Jazz: The Loneliest Monk | 2/28/1964 | See Source »

...white men, raging at every corner of a world that has made him wealthy, a world that is now, in Guinea and the Congo as well as in Alabama and New York, filled with proud little boys who call themselves Miles Davis. He is a man who needs to shout, but his anger is trapped in a hoarse whisper caused by an injury to his vocal cords. The frustration shows...

Author: /time Magazine | Title: Jazz: The Loneliest Monk | 2/28/1964 | See Source »

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