Word: shoutingly
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...Archives. After leaving the White House, Pat returned to the typewriter, turning out a syndicated column and establishing an afternoon radio show with liberal Tom Braden that eventually metamorphosed into CNN's Crossfire. Buchanan did his sparring in print and on the air, and in the new era of Shout TV, Pat delivered his blows without guilt or restraint. By the mid-1980s, Buchanan recalls, "I was hitting the long ball," earning as much as $800,000 a year...
...ENOUGH TO REMEMBER THE 1950S, WHEN BLACKS were so rarely on television that the mere sight of one was enough to produce pandemonium in our Washington neighborhood. "Colored on TV," someone would shout from the front porch, and all normal activity ceased as everybody within earshot rushed to the nearest set for a moment of electronic racial solidarity. If somehow you missed the event, you felt seriously deprived. At a time when the civil rights movement was just beginning, seeing blacks on the tube made us feel more like a part of America. We wanted them to be there even...
...Wilder: "There was a man in Belmar who sold only bananas, and he hired Morty and Morty hired me. The job was to go along the streets hollering 'Bananas, twenty-five cents a bunch!' What a great job. I still sometimes dream about that job. You got paid to shout 'Bananas...
...wives, to the Red Cross lunch meeting, to the reception for the wife of the Trinidadian Security Minister. Alma leaves friends in stitches by describing hellish dinner parties at which Colin always seems to be sharing a private joke with Princess Diana across the table while Alma has to shout conversation into the ear of an octogenarian. "It's not easy being the tail on Colin's kite," says someone who has seen Alma in action. "But she is always graceful and at ease; she never complains...
...these group numbers, when the music is loud and the energy high, that the musical is most successful. The mambo contest in the dance hall is wonderful from the first syncopated shout. The extended pursuit of Jets by Sharks, and vice versa, which opens the musical is deft and witty. It is tribute enough to the dancers' skills that twelve people can have an elaborately choreographed brawl on the Agassiz's cramped stage without seeming awkward; credit for this must also go to the choreographer, Isabel Legarda, who assimilates Jerome Robbins without duplicating him. The production reaches its height...