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...East finance director Ivy A. Lee ’09, the show itself costs around $30,000, and they expect to raise $150,000 at the end of the day. Sponsors range from Macy’s to Red Bull. Given such high stakes, a serious attitude dominates the show??s operations—from the music mixed and produced by Michael R. Polino ’11 to the posture of the student models, many of whom are new to the business. “The models are all very professional. I was so surprised...
...Mantello’s “Assassins, which appeared on Broadway four years ago,” had the same shooting gallery, and this production also copies its 2004 predecessor by merging the roles of the Balladeer—the show??s singing narrator—and Lee Harvey Oswald. Last Friday’s production may have come off without any major hitch, but there was a nagging feeling that the sparks didn’t fly, that it never reached out to rough up the prevailing mood of Hope and Change. Some directorial risk-taking...
...newspaper clippings hanging on the walls with some crumpled on the floor. Given its small, seemingly simple set, “The Front Page” successfully utilizes sound, lighting, and the actor’s dialogue to convey the fast-paced action of a newsroom. Despite the show??s dramatic scenes of internal struggle and frantic reporting, “The Front Page” is also a comedy. Characters fire off jokes rapidly, phones ring incessantly, and multiple characters talk over one another simultaneously. One might initially be confused and overwhelmed by the speed at which...
...resulted in artifice; the poses were affected rather than affecting.As Erisbe, Felicia Plunkett could not manage smooth transitions from comedy to farcical complexity to sobriety, allowing inappropriate smirks to marr her beautiful, lyric soprano. It can’t be easy, though, to betray three men simultaneously in the show??s first hour and emerge as a paragon of fidelity in the second one. She didn’t have an excellent romantic figure to work with in Jay Smith’s Ormindo, whose alto—bordering on soprano—was at first...
...look juvenile. The enjoyable tracks continue with “Therapy,” “Long Lap Dance,” and “Reality Show.” Light and bouncy beats give “Therapy” and “Reality Show?? their fun appeal. There is even a zip-a-dee-doo-dah-like whistling that accompanies the hook in “Therapy.” This, combined with T-Pain singing hysterical but effective lyrics like “1, 2, 3, 4 / Get the hell...