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Dominating the corner of Wilshire and Santa Monica boulevards in Beverly Hills, CAA's forbidding I.M. Pei-designed headquarters stands as a Zen fortress guarding entry to the city's sparkling business district. For years the building has been show-biz ground zero, a hot zone where Ovitz--routinely referred to as "the most powerful man in Hollywood"--built up the town's most imposing list of talent. His masterful, softly menacing style, along with his courtship of nontraditional clients like Coca-Cola and Credit Lyonnais, transformed the old stereotype of the talent agent as a hustling flesh peddler into...

Author: /time Magazine | Title: THE 10% DISSOLUTION | 5/13/1996 | See Source »

Never before has a network been subsumed by another media company with as polished an image and as relentlessly focused a way of doing business; how this plays out, both financially and contentwise, will be one of the most watched show-biz stories of the '90s. Of course, ABC hasn't become the Disney Network just yet--and most sources insist it never will--but even casual viewers will start noticing little mouse footprints soon. Along with Roseanne, two other ABC shows--Boy Meets World and Step by Step--have traveled to Disney's Orlando theme park to tape episodes...

Author: /time Magazine | Title: TELEVISION: A BETTER MOUSETRAP? | 4/15/1996 | See Source »

Movies like this used to have lots of singing and dancing, not to mention Mickey Rooney and Judy Garland. But if you love show-biz fables in which the desperate improvisations of sweet-souled egomaniacs are rewarded by improbable last-minute success, writer-director Kenneth Branagh's A Midwinter's Tale is a very acceptable update. Especially if you like Woody Allen too. For Branagh has adopted a number of Allen's mannerisms: shooting in black and white, using old songs for the score--in this case, frugally, just one song, Noel Coward's great anti-show biz anthem...

Author: /time Magazine | Title: CINEMA: SWEET SILLINESS | 2/26/1996 | See Source »

...Movies like this used to have lots of singing and dancing, not to mention Mickey Rooney and Judy Garland," says TIME's Richard Schickel. "But if you love show-biz fables in which the desperate improvisations of sweet-souled egomaniacs are rewarded by improbable last-minute success, writer-director Kenneth Branagh's 'A Midwinter's Tale' is a very acceptable update." Especially if you like Woody Allen. Branagh has adopted a number of Allen's mannerisms in shooting this story of a half a dozen profoundly marginalized English actors determined to put on a play. "Branagh sometimes sacrifices bite...

Author: /time Magazine | Title: MOVIES: A Midwinter's Tale | 2/16/1996 | See Source »

Martin lasted so long by embracing show-biz contradictions, then shrugging them off. For a start, he was a traditional crooner who learned intonation from Crosby and salesmanship from Jolson. Yet there was a hint in his gestures (eyes closed in ecstasy, arms stretched out imploringly) that he was parodying the very idea of crooner; he was a mellow modernist. You could also peg Dino as an anachronism, a Joe E. Lewis saloon-lush type, the party animal in a tux. Or maybe he was the first slacker, elevating sloth to a Zen art. The stupefaction he radiated...

Author: /time Magazine | Title: CROONING TOWARD OBLIVION: DEAN MARTIN (1917-1995) | 1/8/1996 | See Source »

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