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...century, it was not always so simple to keep the two from clashing. The conductor who is too diplomatic may sacrifice authority he wants to hold over his musicians. On the other hand, the conductor who gives his artistic instincts free reign is labelled a tyrant or a show-off. In the best of times and in the worst of times, the conductor operates at the mercy of scores of vulnerable egos and combustible temperaments...

Author: By Judy Kogan, | Title: The Baton Also Rises | 9/20/1977 | See Source »

...even larger ensembles. The Bach Society's half-strength rendition was surprisingly effective, especially in the last movement. Haydn wrote into the piece a part for solo violin which was intended for his friend, the virtuoso Johann Salomon. Lynn Chang assumed Salomon's part, and elicited all of its show-off excitement. The French hornists, though, had a tough evening. Amy Larkey and Susan Grody struggled with a part which demanded entrances with very high notes. The critical attack on the first note is harder on the French horn than almost any other instrument, especially on high notes. Baker...

Author: By Peter Y. Solmssen, | Title: Music 180 Takes Over | 12/18/1973 | See Source »

...emblazoned P.F. (for Plentiful Foods) he confidently launched a Butz omelet before admiring department employees. "Anyone can do this," he announced as he shuffled his skillet like a galloping gourmet. He was so right. The omelet was lumpy and overcooked. Next try was better, and for his efforts the show-off chef was granted membership in the National Good Egg Club...

Author: /time Magazine | Title: People, May 7, 1973 | 5/7/1973 | See Source »

...repertory strikes a range of notes-from the wholesome humor of The Show-Off and the slightly sour satire of Pantagleize through the elegiac tones of The Cherry Orchard and the mournful wail of Exit the King...

Author: /time Magazine | Title: Television: May 10, 1968 | 5/10/1968 | See Source »

...writing for which his Bitter Lemons, Prospero's Cell and Reflections on a Marine Venus have been praised. There are flashes of the ribald wit that makes his volumes about the British diplomatic corps such delights. But there is also much over writing. The book is littered with show-off phrases such as "alembicated piety" and "the penetralia of one's self-regard." The mixed metaphors are painful: "I lay on the slab, the mortuary slab of my immortal life-twitching like a skate in a frying pan." And the puns are leaden: a Rolls-Royce...

Author: /time Magazine | Title: Books: Abel Is the Novel, Merlin Is The Firm | 4/5/1968 | See Source »

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