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...title of show]” offers self-referentialism, off-color jokes, and hilariously naïve attempts at inner-city slang. But like a wittier "Will and Grace," its execution—endearingly realized in this iteration—is weighed down by sticking too closely to the book...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: "[title of show]" Goes Meta, To Mediocre Results | 2/4/2010 | See Source »

...about the time the show reaches off-Broadway, the shtick starts to get a bit stale. Hunter's attempt to exclude the too-committed Heidi from the Broadway run puts an exceptionally cliché bump in the fabulous foursome's trail, while the inclusion of any of the musical’s developments or numbers starting with the song "Change It, Don't Change It/Awkward Photo Shoot" only serves to supplement the uncomfortable, forced mood in the most unfortunate of ways. "A Way Back to Then" is the exact sort of mushy, heartfelt song that Jeff stops Hunter from singing...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: "[title of show]" Goes Meta, To Mediocre Results | 2/4/2010 | See Source »

...colleague Dixon asks Clay about his take on the title, and I eagerly anticipate his answer. Surely someone with so much confidence would show some pride in the distinction. But to my surprise, Clay is unimpressed...

Author: By Max N. Brondfield, CRIMSON STAFF WRITER | Title: Olympian Races At Harvard | 2/4/2010 | See Source »

...slowly and painfully turn his life around and become clean. As he finds a steady job and reconnects with his kin, I could not help but express my happiness to my entire uninterested family, who could not understand why I was spending my entire break watching this crushingly depressing show. But seeing Bubbles’s growth partially renewed my faith in humanity, a faith that had been somewhat tarnished by hours of continuous exposure to Baltimore’s urban crime environment on “The Wire...

Author: By Ravi N. Mulani, CRIMSON STAFF WRITER | Title: Bubble’s Redemption | 2/4/2010 | See Source »

...making a difference in the world, “The Wire” was a nice reminder that in the real world, happy endings are not a guarantee (or even likely): half-measures are common, and self-interest usually reigns supreme. Neither conservative nor liberal in tone, the show is unabashedly critical of every major institution that affects our lives today, from government to corporations and newspapers. There’s a reason the show never won an Emmy, while “Entourage” has won multiple awards...

Author: By Ravi N. Mulani, CRIMSON STAFF WRITER | Title: Bubble’s Redemption | 2/4/2010 | See Source »

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