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Additionally, Demetia Hopkins and Tyrone Walker, two professional dancers from AADC’s younger company, Ailey II, will be performing alongside student dancers in the show...
Harvard jazz teacher Jodi L. Allen will also be presenting her own piece, entitled “Breathe.” According to Bergmann, Allen’s choreography is sure to be “a really physical, exciting addition to the Viewpointe show...
...shows about families are easy to love, and hard to fall in love with. It’s not like the experience of watching a cop show, when we’re relatively willing to accept that it’s perfectly common for detectives to start shooting at people with little to no provocation—and, of course, never to fill out any paperwork...
Phil and Cameron are, by leaps and bounds, the best parts of the show. Imagine Cameron, a large man in an elaborate clown costume and makeup, physically threatening the gas station bully who insulted Mitchell, or Phil gleefully joining his 10-year-old son for a treasure-hunting expedition under the house. It’s hardly standard sitcom fare—and, therefore, much funnier as the reheated material you’d expect to find on “Parenthood...
...it’s important to note that “Parenthood” is a well-made show. I’d have to say that, in spite of its flaws, I really like it. The subplots are consistent (if unoriginal), the dialogue is snappy, and the show is downright cinematic in terms of visual appeal—the family’s Berkeley, California home slaps a relaxed hippie veneer on Nancy Meyers upper-middle-class opulence...