Word: showier
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...Oscar is looking for: not acting but Acting! The Master Thespian strutting his bombastic stuff. By this standard, Heath Ledger, whose boldly subtle turn in Brokeback is so internalized you might need a surgeon to find it, is a less likely winner than Philip Seymour Hoffman, who?s much showier (and pretty swell too) as Truman Capote. Similarly, Reese Witherspoon, the world?s darling, may be seen as simply radiating star quality in her turn as June Carter Cash in Walk the Line. (We love her, but, honestly, the movie is Joaquin Phoenix?s show, and he isn?t given...
...gifts. As a charming killer in Nothing But the Best or a Jewish prisoner in The Fixer, wrestling nude in Women in Love or incarnating the lonely spy Guy Burgess in An Englishman Abroad, he brought strength, delicacy, wit and humanity to each role. In films he often chaperoned showier stars (Anthony Quinn in Zorba the Greek, Lynn Redgrave in Georgy Girl, Bette Midler in The Rose) to Oscar nominations; he was the solid ground they danced on. The stage allowed him to dominate. He radiated silky malevolence in Harold Pinter's The Caretaker, a tonic cynicism in Simon Gray...
...gifts. As a charming killer in Nothing but the Best or a Jewish prisoner in The Fixer, wrestling nude in Women in Love or incarnating the lonely spy Guy Burgess in An Englishman Abroad, he brought strength, delicacy, wit and humanity to each role. In films, he often chaperoned showier stars (Anthony Quinn in Zorba the Greek; Lynn Redgrave in Georgy Girl; Bette Midler in The Rose) to Oscar nominations; he was the solid ground they danced on. The stage allowed him to dominate. He radiated silky malevolence in Harold Pinter's The Caretaker, a tonic cynicism in Simon Gray...
...prefers the faster, showier dance movements, quick turns and grand jetés, criss-crossing the stage. She looks very small to be dancing alone in such a huge place. The work lights glint off her back as she jumps a couple more times...
Although the showier role belongs to Wyle, who ably trades the blue-blood reserve of ER's Carter for Jobs' loose-limbed swagger, the movie's secret weapon is Anthony Michael Hall, whose work here will startle viewers who recall only the nerdy teen who kept hitting on Molly Ringwald in Sixteen Candles and The Breakfast Club. "This was a huge opportunity for me," says Hall, clearly thrilled at this escape from Ex-Child Star Hell. "I saw it as an incredible gift--a chance to reinvent myself...