Word: showing
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Dates: during 1950-1959
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...from a brand of leftist nationalists who do not like the U.S., but will go along with the Reds only to a point. The top anti-Communist influences are labor leaders and the Roman Catholic Church. Last week, in a rededication to the faith that became a tacit show of strength against the Reds, a crowd of 200,000, including a subdued and silent Castro, paraded by torchlight into Plaza Civica for midnight Mass, paying homage to Cuba's patron saint, the Virgin of Charity. By radio Pope John XXIII voiced hope that Catholics would "save the Christian face...
...Relax. By the time Diahann entered New York University (to study sociology), she had decided that she wanted a show-business career after all, quit school, allowed herself a two-year trial period in which to find success or failure. She won $3,000 on a TV talent show, was booked by Broadway Impresario Lou Walters into his brassy Latin Quarter. Diahann was an instant hit, shared top billing with the changeable Christine Jorgensen, who taught Diahann how to bow like a lady ("Darling, like so . . ."). At 19 she drew raves as Ottilie (alias Violet), the naive young girl...
...Carroll sat with a single spot shining on her tawny face while she sang a moving set of folk songs with powerfully restrained drama. Later she was on her feet again belting out a Heat Wave with the raucous abandon of a Merman. In the course of the long show, Diahann Carroll displayed only one serious weakness: an occasional tendency to oversell her role, as in her version of Just Lookin' Around, which was so coated with coy baby talk that the message never filtered through...
Delightful at its best and generally fun, Fiorello! does have its weaknesses: a few flop songs and scenes, and a less lively second act. The show's chief liability is that bane of musicals, love, which-requited or unrequited-can seem banal. Even so, the show's chief asset. Director Abbott's testing everywhere for pace and pep, helps to shorten the doldrums. And for the evening as a whole, the reaction to the Abbott test is decidedly positive...
...finds Playwright William (Picnic) Inge once again in the Middle West of a generation ago, portraying troubled, torn, anonymous lives. This time, he considers the jangled relationship between a widow (Betty Field) and her 21-year-old son (Warren Beatty), and what happens when an out-of-work tent-show dancer who had once been their maid (Carol Haney) comes to stay with them. The mother-whom the son deeply resents because he is too deeply drawn to her-had been happily married and, because of the boy's attitude, has given up marrying again. Aware...