Word: showing
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Dates: during 1980-1989
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Since stories are the indispensable raw material of show business, CAA has built a development department that generates ideas for its clients. Ovitz has cultivated close ties with Manhattan gliterary agent Morton Janklow, who represents such best-selling authors s Judith Krantz, Danielle Steel and Jackie Collins. That collaboration has produced some 100 hours of network mini-series. Now Ovitz hopes to work an even richer literary vein. In December Janklow announced a surprise merger with longtime ICM literary agent Lynn Nesbit, whose clients include Tom Wolfe, Ann Beattie and Michael Crichton. According to sources close to the negotiations...
...boyish 5-ft. 9-in. dynamo with the gap-toothed grin was reared in a $9,000 tract house in the San Fernando Valley. He originally wanted to become a doctor, but show business kept catching his eye. Sally Field, a classmate at Birmingham High School in Van Nuys, remembers him standing quietly in the back of the room, watching her drama-class rehearsals...
...court has said the death penalty is legal, but political leaders are reluctant to question whether we as a society want to put it to work. Public opinion studies, which have tilted both ways in the past 25 years, now show overwhelming support for the death sentence. Politicians who fan the fires are seeking heat, not light, and they make reasoned discussion difficult. Capital punishment tells us a lot about ourselves and our willingness to create a moral code that rises above destructive anger and the call for revenge in kind. We seem to have a double standard about death...
...works in the show, more than a third are from Warhol's estate, mostly very early or very late ones, though no special interest attaches to "Warhol's Warhols" beyond the circumstance that they were unsold at the time of his death. Nevertheless, despite this compliance with their sales pitch, the guardians of Warhol's name and estate (who are busy marketing his aura like a combination of Jesus Christ's and Donald Duck's) are reportedly miffed by the form that the show took at the hands of its curator, Kynaston McShine. The show's emphasis falls on Warhol...
...five remarkable years (1962-67) followed by a long downhill slide into money-raking banality, with his social portraits and his silk-screen editions of dogs, famous Jews of the 20th century and Mercedes; or that his actual influence on younger artists varied from liberating to moderately disastrous. The show fills in details in one's knowledge of Warhol's work -- for instance, how his fascination with the repeated image was there from his earliest days as an illustrator -- but does not change one's sense of its basic priorities...