Word: showing
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Dates: during 1980-1989
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...clear narrative. It wanted to evoke mood and sensation. And in its early years at least, it was drawn to the discreet presence, strung along the shores of the Mediterranean, of an elegiac classical past. The figures in Matisse's fauve landscapes at St.-Tropez -- amply represented in this show -- are Arcadians with spots. The pale recumbent nude among the columnar tree trunks in his Nymph in the Forest, 1935-42 or '43, harks directly back to Titian. The flute player in Henri Rousseau's The Happy Quartet, 1902, whose music is joined by the howling of a giant white...
...that the pastoral mode is on its last legs today, weakened by irony and excess self-consciousness; although a vivid little tablet of color by Howard Hodgkin, In the Public Garden, Naples, 1981-82, argues that it can still be used without a false note. But this show leaves no doubt about how much it mattered to earlier generations of artists or how enduringly grounded in man's desire for consolation it proved...
Hackman is probably the subtlest screen player of his generation. He is a genius at hiding his true feelings under humor, letting them show with a seemingly unconscious flicker of expression or an unfinished gesture. Dafoe stands up to him with the kind of flat-voiced certainty mastered only by men of few, but unshakable, principles. Though each learns something from the other, their relationship retains its pure scratchiness from beginning to end. These guys are never going to be buddies...
With her roly- poly figure and truck- driver tongue, she is hardly a typical TV mom. But not since The Cosby Show has a television family so captured America...
Nymphs, shepherds and deliciously mellow nature: a fascinating two- part show in Washington traces the pastoral vision in painting from Giorgione to Matisse...