Word: showing
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Dates: during 1990-1999
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...self-exiled Sheridan Crane (McKenzie Westmore) in France visiting Sacre Coeur every day to mourn the loss of her best friend. That best friend was Princess Diana, who we now learn was on her way to visit Sheridan when she met her ill fate in that Parisian tunnel. The show doesn't make clear why this information never surfaced on Hard Copy...
...Irish grandfather who kept him riveted with suspenseful tales. But Reilly's gift, colleagues say, has as much to do with his skill as a technician as it does with his being a good raconteur. "Jimmy has perfected the art of not being predictable," says Lisa Hesser, the show's executive producer. "Most soap opera viewers know they have to watch on Fridays and Mondays, but Jim can have a blockbuster event on a Tuesday." If that event should involve a reincarnated Dodi, well then, all the better...
...White always left town on his birthday," he said, "because that's when the reporters would show up, bothering him. He'd tell us at the store where he was going, but nobody else...
...findings show how important it is for researchers to look at the whole population and not just patients in university hospitals, where the worst cases are usually referred. By examining a broad cross section of adults in the long-running Framingham Heart Study, Dr. Lisa Freed and her colleagues found only 2.4% of subjects had mitral-valve prolapse and that half those cases consisted of less harmful variations on normal cardiac design. They also found the condition to be equally uncommon among women...
What is surprising in Venice is Hamilton's shift, her outsize Surrealist style giving way to disarming quiet. Sitting in the hotel room where she stayed with her husband and five-year-old son during the six weeks that she and a crew of nearly 20 created the show, Hamilton explains the new approach. "When I started this project, I wanted to make something big and yet something almost humble and empty, to comment on American domination," she says. "There is so much in our history that we cannot look at, that we refuse...