Word: showing
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Dates: during 1990-1999
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That's because network execs know Kelley's probably going to wind up doing a lot more than he promised. In 1993, when he was only writing all 23 episodes of his one show, Picket Fences, he told TIME, "I don't plan to continue at this pace. I wouldn't recommend it for anyone who factors longevity into his lifetime plan." He probably thought he meant that. But even earlier, as a busy lawyer who had never written before, he used the time while waiting for his court cases to be called to write the 1987 Judd Nelson movie...
...Wheeldon can do much more than conjure up spun-sugar fantasies. The witty Soiree Musicale, which the school premiered last year, for instance, contains a show-stopping tango in which a femme fatale picks up new partners one by one, eventually dancing with a dozen admirers simultaneously. And Corybantic Ecstasies, given its premiere in March by the Boston Ballet, is a tough-minded, tautly argued work that shows off Wheeldon's ability to infuse the disciplined language of classical ballet with high emotion...
...good scientific credentials. The key ingredient in Benecol, which was approved last week by the U.S. Food and Drug Administration, comes from a compound that occurs naturally in pine trees. Take Control, which got the green light in April, uses an extract made from soybean oil. Randomized, controlled trials show that folks with mildly elevated cholesterol levels (between 200 mg/dl and 240 mg/dl) who ate roughly two tablespoons of Benecol a day decreased their level of LDL, the "bad cholesterol," about 14%. The manufacturers of Take Control, on the other hand, designed their product so that it would lower...
...show of early works on paper by the German artist Sigmar Polke, which runs through June 16 at New York City's Museum of Modern Art, is a bit of an anticlimax. Much has been expected of Polke. He is one of the two painters--the other being Anselm Kiefer--who rose to the top of the enormously promoted pack of "new" German artists in the 1980s and remained there when others dropped away or became, like Georg Baselitz, with his crude upside-down figures, formulaic bores...
...flat-out mythomane, dedicated to the Sublime, the Enormous and the Ultra-German; a marvelous artist at his best and at his worst a Black Forest ham. Polke is thinner, weirder and more elusive. His work--whose basic nature developed during the period covered by this show, from 1963 to 1974--is a hard-to-read image haze formed by the overlay of Pop art on Germany's postwar consumer society and its emblems, refracted through a needling, ironic and sweetly anarchic temperament...