Word: showing
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Dates: during 1990-1999
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...like having people all over the place,"Clarke adds. "Hopefully it will make the audiencefeel like more a part of the show...
...more often, Salter's poems have a certain freshness, using everyday occurences as gateways to show the reader paths of ideas he never would guessed at. At one point, she hears children playing the game Marco Polo and speaks of the sounds as "heightened with the importance of the half-understood." Salter's poems make us feel that everything around us is only half-understood, that everything has depths. She does not explore all these depths, but simply shows a bit of what she sees behind these objects, what they make her think of. In this way, she heightens...
...more often, Salter's poems have a certain freshness, using everyday occurences as gateways to show the reader paths of ideas he never would guessed at. At one point, she hears children playing the game Marco Polo and speaks of the sounds as "heightened with the importance of the half-understood." Salter's poems make us feel that everything around us is only half-understood, that everything has depths. She does not explore all these depths, but simply shows a bit of what she sees behind these objects, what they make her think of. In this way, she heightens...
...Abbott and Costello routine. It is the world of the Freshman Musical, a world in which ordinary rules of theater and of theater reviewing do not necessarily apply. Creating an original musical entirely from scratch is never an easy matter, and it is probably less so when the show is written by committee. The fact that a musical as coherent as The Hong Kong has emerged from such less-than-ideal circumstances should probably be viewed as a minor miracle...
...danced a bizarre music-video parody on the subject of black leather. Annie Tigani '02, as one of several dimwitted Wellesley girls, sang a gratuitous but excellent song (by Jihwan Kim '02 and Rachel Eisenhaure '02) about "wanting a Harvard Man." (I hope no one from Wellesley saw the show.) Orchestra conductor Lembit Beecher '02 provided an even more gratuitous but very funny paean to gratuitous Broadway songs...