Word: showing
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...Untitled Project,” such uncertainty is almost logistical—the form of the event depends on the impact of revelation and surprise. The audience, she believes, should arrive knowing very little about the project, but instead should be drawn by curiosity; and the show, she says, is only effective when you don’t know what to expect...
...relationship between actor and audience is achieved by certain interactive moments, moments that vary from show to show, and which are not under the actors’ control. Theater, says Davies, is often all about control. But so much of this play depends on what is happening in the room before the show starts, or the way the audience responds, that control seems to dissipate. Davies intends to make people unsure of whether theater can do more than just put a story on stage, whether it can blend the border between reality and fiction...
...border between audience and performers is central to the production’s goals, and emphasized throughout. When the show begins, it is unclear who is acting and who is observing. “For a moment everything is on the same plane,” Davies says. And this blending of roles, leading the audience to question the nature of theater, and what it can become, is vital to the goals of “The Untitled Project.” “The only way to continue to be relevant is to use the medium...
...Harvard campus. Former co-director Alejandra Beristain-Barajas ’10 says, “A lot of times we stick with Jalisco because we know it’s a crowd pleaser. People know the Mexican Hat Dance, but we’re trying to show other regions that haven’t been showcased as often.” One such energetic piece, “Zacatecano,” features men in tight charro suits and women in full skirts. It originates from the state of Zacatecas...
...still getting over bronchitis and my show opens tomorrow!” A statement like this doesn’t sound so incredulous coming from Christine K. L. Bendorf ’10, a Quincy House senior whose passion for theater would never allow her to be stopped by something so trivial...