Word: showings
(lookup in dictionary)
(lookup stats)
Dates: during 1940-1949
Sort By: most recent first
(reverse)
...Princeton and Dartmouth teams show similar diversity, each drawing their players from 14 states, with no local preponderance such as Harvard's. Dartmouth has as many football players from Hawaii as Harvard does from Connecticut...
...wouldn't expect Boston's Latin Quarter to be the scene of a revolutionary experiment in show business. Yet that night club is currently initiating a complete musical revue, much like the Broadway product--and this in the same room where you can eat a wiener schnitzel and drink an African Zombie. At 8:30 and 11:30 p.m. the nitery's green-vested waiters clear the dessert dishes and fill the water glasses; the lights dim, and the stage at one end of the room becomes the center of interest for the next hour, as a group of young...
...Cross Country" is producer Max Liebman's baby. He was the director and producer of last season's popular television show, "Broadway Revue," as well as a contributor to Broadway's "Call Me Mister" and "Make Mine Manhattan." His customary emphasis on dancing is evident in his latest effort. Nelle Fisher's energetic and skillful choreography is what makes the show tick. Her dancing, and that of Jerry Ross, former lead in "Call Me Mister," is fast, slick, and entertaining...
...Cross Country" is a package show; it will tour night, clubs across the continent when it leaves Boston after a four-week run. At that time an entirely new Max Liebman revue will open at the Latin Quarter. The present show isn't completely successful, but with some betters material and more comedy, the experiment could easily be a shot in the arm for both drooping night clubs and show business...
Technically, Grosz ranges widely. Some of his early works show the influence of the first Italian abstractionists; others, like his "The Horseman is Here Again" and "Christ in a Gas Mask," have much of the quality of Durer's woodcuts. Later watercolors, however, are pure reflections of his own creativeness. These paintings, dating from 1946 to the present, repeatedly picture a twisted, angular, skeleton-like creature whom Grosz calls "the Gray Man." Other recurring symbols are an artist's canvas with a hole torn in its center, and a rainbow-colored flag torn from its staff. The series of water...