Word: showings
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Dates: during 1940-1949
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...know the value of good books ... of Latin, and algebra . . . may be forgiven if we sometimes show just a little irritation when the 'traditional' subjects are made the scapegoat, by implication at least...
...Murray's Blockouts (produced by David W. Siegel) reached Broadway last week after playing for seven years in Hollywood. A freak success which was seldom the same show for two weeks running (TIME, Feb. 12, 1945), Blackouts grossed $5,000,000 from a 10,500. It reached Broadway in a slack season when no other new show was scheduled to open for weeks to come...
Even as the one new thing around, Ken Murray's vaudeville is by no means a treat. Part of its fantastic Hollywood success may stem, indeed, from its being just the kind of flesh & blood show a movie metropolis can condescend...
Blackouts isn't without talent of sorts, but it is utterly without cispness or taste. The show (with cigar-chewing Murray as M.C.) is informal to the point of sloppiness, as though the only alternative to a boiled shirt were an egg-stained vest. And as nothing is too vulgar for Blackouts, so nothing is too venerable-one of its borrowed skits helped make Fannie Brice famous...
...chorines and one-legged hoofers. There are also oldtimers like Composer Shelton (Some of These Days) Brooks and Guitarist Nick (Tip Toe Through the Tulips) Lucas; but they don't make things seem like old times. New, and nice to look at, is blonde Pat Williams, as the show's leading lady. Blackouts has its remarkable turns -a female contortionist, a set of trained lovebirds; but in the great days of vaudeville, they would merely have opened the show...