Word: showings
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Dates: during 1980-1989
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...dolphins' tasks, private sources claim the dolphins defend moored nuclear submarines by identifying and killing saboteur-divers. Others are reportedly trained to locate mines (one dolphin died during recent naval operations in the Persian Gulf). Apparently, the CIA has even approached former trainers from the hit 1960s TV show, "Flipper," asking them to train dolphins to place explosives on ships...
Four years have passed since Gorbachev launched his crash program to catapult the Soviet economy into the computer age, and the results are just starting to show. Soviet manufacturers cranked out a record 100,000 microcomputers last year, bringing the total number of personal computers to an estimated 200,000. That is a far cry from the 30 million machines Moscow estimates the country can absorb. By all accounts, Gorbachev's electronic- literacy program will fall far short of its ambitious goal of installing a million computers in the schools...
Soft-spoken and unassuming in private, Victor Shinkaretsky is a bulldog on the job and on the air. Appearing several times a week on Good Evening, Moscow!, a prime-time television show that specializes in covering everyday headaches in the capital, Shinkaretsky is the Ralph Nader of the U.S.S.R., the champion of consumers in a country with precious little to consume. Though his persistence in uncovering agriculture shortcomings has earned him the nickname "Tomato Joe," he quickly points out, "I also expose the problems of sanitation, transportation and theft...
...Theater or in quasi-documentary scripts about prostitutes and gravediggers performed by the city's most impressive acting troupe, the Sovremennik (Contemporary) Theater. Says Konstantin Raikin, artistic director of the Satirikon Theater, where the Russian-language debut of Jean Genet's psychosexual drama The Maids is Moscow's hottest show and among the least political: "These days, a measure of a play's appeal is to be able to say that it's not only about perestroika...
...virtual gangsterism in the cemetery where he works as a gravedigger, and a dangerous weakness for vodka. There are performances of enchanting sweetness from Anton Tabakov as a young co-worker and of feral malignity from Valeri Shalnykh as a mock-friendly gang enforcer. But the most memorable scenes show Sparrow alone with his cacophony of fears, climbing arduously up to a bell tower where he can hear the euphony of wind and birds and a distantly remembered lullaby, until a screeching train cuts off his reverie. Emotive yet astringent, these are moments worthy of Charles Laughton in a play...