Word: showings
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Dates: during 1980-1989
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...Gorbachev is not helped, he will fall and be replaced by a hard-liner. Senate majority leader George Mitchell charged last week that Bush and company seem "almost nostalgic about the cold war." To many, the Bush team seems stubbornly reluctant to move beyond what the President calls a "show me" attitude...
...paying less for AZT treatment. Doctors are discovering that combining the potent antiviral drug with such other formulas as interferon (an immune- system booster) or probenecid (an antigout drug) lowers the dose of AZT necessary for effective treatment. In addition, people who are infected with the AIDS virus but show no symptoms need only about half the full-strength dose to slow the course of the disease...
...other AIDS treatments has not flagged. Last week a group of San Francisco AIDS activists announced the results of their highly controversial underground test of Compound Q, a chemical derived from a cucumber-like Chinese plant. Although many of the 34 patients tested with the drug seemed to show marked improvement, three have died. The deaths have not been directly attributed to Compound Q, but the uncertain results proved once again how important AZT has become to AIDS patients as a life-giving drug and a symbol of hope...
Picasso and Braque: Pioneering Cubism," which goes on view this week at the Museum of Modern Art in New York City, is by far the most demanding show MOMA has ever done. Whatever one's stamina for comparing nuances of pictorial meaning, it will be taxed by this long sequence of more than 350 mostly small, mostly brown works of art that fill two floors of the museum through Jan. 16. This will be the array of Cubist evidence at which future scholars will look back. Curator William Rubin, director emeritus of MOMA's department of painting and sculpture...
...gets us nowhere to think that Cubism was meant as a form of realism. That * is what art historians like Douglas Cooper thought -- Cubism aimed for "the solid tangible reality of things" by representing them from several angles. But "solid tangible reality" is hardly detectable in this show. You get an overwhelming sense of plastic energy from Picasso's drawing of volume, but that is a different matter. Neither he nor Braque was out to propose a systematic alternative to one-point perspective as the key to making things look real. There was no system to Cubist shuttling and lapping...