Word: showings
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Dates: during 1990-1999
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Last Sunday marked United Nations (UN) Day, which Harvard will celebrate this week with a series of events including a debate on Security Council reform, a student discussion of the future role of the UN, a Science Center exhibition, an international food festival and cultural show and a film screening. Each is intended to spark campus discussion of the United Nations' status today...
...does not necessarily justify the means, and as anyone who has ever seen his movies could attest, to seek gratification contingent only on a David Lynch ending will force you to question the price of your admission ticket. Even without our complete comprehension, Lynch always manages to show something unexpected, something fresh. But is this any less justified of an approach to filmmaking? Sure, we know what's going to happen, 15 minutes into the movie and this fact, coupled with our optimistic belief that happy endings still exist, leaves us confident that Alvin Straight will be reunited with...
...when he's at his best, Shepard can pull tricks of which Mamet is incapable. His characters, unlike Mamet's tough-talkers, are willing to show their own vulnerability. They are desperate to do so in some cases. And this is where Kellerman's production shines. Kellerman has an eye for portraying human frailty, for capturing the looks and muffled breaths that mark us at our weakest moments. What is most amazing is that he can make these looks and breaths seem as powerful in the 500 seat mainstage theater as they did in the infinitely smaller...
...None of this would be possible, of course, without the remarkable cast of Simpatico. Shepard's play presents the aftermath of a 15-year-old case of blackmail, showing how both the blackmailers and the blackmailed must struggle to shape for themselves normal, fulfilling lives. At the center of the play is Carter, the mastermind of the nefarious scheme, played with passion and subtlety by David Modigliani '02. Carter is the only character to have profited from the blackmail scandal, but Modigliani is wise enough to show that his success and power are as much mental creations as they...
...Anything you see by Boston Ballet, one of America's top five dance companies, will be good. Their dancers are the creme of the crop, reason alone to see this show. But this show has even more going for it. Firebird's award-winning choreographer Christopher Wheeldon, a current soloist with New York City Ballet, is one of the most innovative and heralded of new choreographers, having inspired big articles in Time and Dance Magazine. Daring to re-choreograph an already well-loved ballet, in Firebird he creates a new masterpiece from an old one, his choreography departing from...