Word: showings
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Dates: during 2000-2009
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...constant process of relocation with each new show aids the Project’s driving mission to spread Shakespeare’s insight and power by bringing his works to communities that possess few opportunities for local performance...
...Each scene has its own story, its own arc. When you throw them all together it creates a story, but each of them has its own individual thing... The show is much more about the relationships that come up in each scene,” says Jesse T. Nee-Vogelman ’13, who plays...
...thematic appropriateness to this academic setting. “We really wanted to reach out and branch out beyond the typical theatergoers,” Lodha said. “There is something interesting in the convergence of mathematics and theater. What’s very interesting about this show is taking something that seems like two polar opposites and showing that there isn’t that much of a difference after...
...attempts the same serendipitous, organic feel, but gets it right. The choreographed scene looks unplanned, or at least believable, and that’s a hard task, as Expressions learned this week. The enthusiasm in the nostalgic jam session makes glee look like the funnest class ever, proving the show isn’t just production values smoke-and-mirrors. Our only caveat: it’s a little problematic that the two modern, “black” pieces in this diversity episode weren’t actual performances. We got an unplanned rehearsal and a jam sesh...
...Adams Pool Theater, with its minimalist décor, is a fitting setting for the show. The lack of scenery or adornment forces the audience to focus only on the characters and the impassioned speeches they are delivering. The setting becomes irrelevant as it becomes clear that people of any time or place could become victims of the seven sins. The lighting remains constant, and the lack of dimming between scenes lends a sense of continuity to the show...