Word: showings
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Dates: during 2010-2019
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...team is arranged around a box of Dunkin’ Donuts, talking logistics and gossip. Feliz-Taveras is getting excited at the prospect of publicizing to prefrosh: “We want to show people that Harvard is fun,” she exclaims...
Friday, 4:00 p.m. The producers reconvene for a meeting in El-Hage’s room, a homely Claverly abode with Japanese prints and an impressionist landscape on the walls. On the floral rug there are boxes full of fashion donations for the post-show auction; beside them, from piles of posters, the sexy and austere Eleganza models stare angstfully across the room at a vintage map of Harvard...
...finish applying blush, pin costumes, and straighten hair, TAPS came together in a circle and had their usual pre-performance pow-wow. “Thank you all for your hard work. You guys made being your director so easy. It’s going to be an awesome show. Everyone looked so good today,” Driscoll said, proceeding to give a card to each TAPS member to express her appreciation...
...from “42nd Street” and Janis Joplin’s “Mercedes Benz.” Although a relatively small group of eight members, their dancing filled the room in “Tapped Out,” their money-themed spring show. The performers were percussionists as well as dancers—with the strike of a tap-shoe against the pale wood floor, they could conjure a light drizzle or a hailstorm. Some seats remained empty, but the audience was boisterous, shouting, “I see you, TAPS...
...Tapped Out” made it evident that the challenges they face are not based on skill or the quality of their performance—as audience member Henry H. Hammond ’58 said, “The show went very well. Did you notice that they couldn’t stop smiling? They’re clearly having a good time...