Word: showings
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Dates: during 2010-2019
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...actually involves a small picture that the director had drawn as a child. “I think I’m going to incorporate it as the central image,” said Ding, “since the image fits oddly well with the themes of the show even though this drawing was done years ago and was not related to the production...
...production of The Flies, the show’s director envisioned a Western-themed retelling of the original play by Jean-Paul Sartre, so the Harvard production of the show featured a specific aesthetic invoking the American West. Correspondingly, Ding’s poster for the show incorporated this visual motif, and it was this unusual image which captured the attention of the producers of the Facebook movie...
...these images varies slightly according to the type of event and the preferences of the student group hosting it. When creating images for theatre posters, Ding said, “I’ll drop by the rehearsals and talk to the directors to get a feel for the show.” For Hsieh, the cultural board of CSA tells him what kinds of images they have in mind for a given event, and then he creates three or four designs based on their input. “It’s a collaborative process...
Even before the show officially begins, it becomes clear that Sonia C. Coman ’11’s “Leah” intends to break the mold. Cast members lie under blankets on stage, surrounded by large panes of translucent plastic. Meanwhile, “Theater Manager” Andrew N. Shindi ’13 introduces the play as “Sewing in Springtime,” a production which begins with the cast engaging in synchronized, choreographed sewing...
Thus begins the main event, a one-act play by the character Leah that offers an absurdist, fractured reinterpretation of her own past, present, and future. “The show will reinforce theater as a locus where reality and dream meet. In that realm, absurd talk is the wisest decision,” claims the synopsis. The play, which ran from March 25 to 27 in the Loeb Experimental Theater, takes that mission statement to heart...