Word: showness
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Dates: during 1940-1949
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...show was La Corrida, though the picture's composition was halfheartedly cubistic and for all its elegant Etruscan overtones the drawing was weak. The color, which Marchand pretends not to care about, was magnificent; as a colorist he had cleared the wall...
Critics of the State Department's Latin American policy noted impatiently that its "recognize-and-deplore" formula had given little but cold comfort to democrats in Venezuela, Peru and Colombia. Acheson was aware of the criticism, but he applied the formula again, apparently in an effort to show that it can sometimes get results...
...Like any show of its kind, the annual exhibition of contemporary U.S. art that opened in Manhattan's Whitney Museum last week bulged with duds. Artists not invited to exhibit would consider the show too small, but for gallerygoers it was far too big. Of the 161 painters represented, only a handful had fire...
...abstract wing of the show included some startlingly original pictures. Morris Kantor's Lonely Bird knit the shapes of buildings and trees together with looping lines and high-keyed colors, that were all his own. In Lee Catch's dark little Fruit Boat, with its cold blaze of lights seen across the water, abstraction and representation were happily merged. Catch's painting was one of the simplest and smallest on display, but it had size...
...show opened, the Whitney announced it would soon jettison its fine collection of 19th Century art (worth perhaps $250,000), use the proceeds to buy more & more paintings like those in the current show. For the price of such a proven masterpiece as Thomas Eakins' The Biglen Brothers Ready to Start the Race, the Whitney could probably pick up the latest Koerner, and the latest Kantor, Gatch and Levine...