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...sensation-seeker. To many, this reception seemed unfair. Composer Antheil knows the classics, admires Beethoven and Handel above all others, appreciates them intelligently. He is an accomplished musician himself on orthodox instruments. His departures, though radical, are too sincere to be dismissed with a sniff for the showoff. He is, first of all, an earnest young man. Had Manhattan waxed indignant, as did Paris when the mistake was made of facing the propeller toward the audience and thereby nearly blasting them into the street, the youthful creator might have derived satisfaction. Had he been dissected with pedagogical thoroughness, he might...

Author: /time Magazine | Title: Music: Infernoise | 4/25/1927 | See Source »

...Rolls Royce. The show is a sort of vaudevillian crazy quilt made out of gaudy wisecracks and patches from several other farces in which New York vernacular has been employed for dramatic effect. Almost all the comedies of this season carry some echo of George Kelly's The Showoff. This one even shamelessly copies John Bartel's famed laugh. Joe Laurie, former vaudeville star, quite appropriately graduates into the leading role. The play appeals especially to the humor and tear ducts of folk who are not irritated because the title fails to attain the proper subjunctive mood...

Author: /time Magazine | Title: Theatre: New Plays: Sep. 13, 1926 | 9/13/1926 | See Source »

...attendance. Roughly it is this: "Never spoil a human being's illusions about himself or his condition. He will go mad or die." A violent controversy has arisen over the acting of Warburton Gamble in the part of the father of the house. He made him a silly "showoff" type and as such drew a perfect picture. Objectors swear that there was a deeper thrust of idealistic sincerity to the part as Ibsen wrote it. If this is your reading of the play, Mr. Gamble was exceedingly inept. Blanche Yurka, Tom Powers and a newcomer named Helen Chandler...

Author: /time Magazine | Title: The Theatre: New Plays: Mar. 9, 1925 | 3/9/1925 | See Source »

...SHOWOFF. Completes its full year of entertainment. The windmill hero who talks before he thinks and never stops talking...

Author: /time Magazine | Title: The Theatre: The Best Plays: Feb. 23, 1925 | 2/23/1925 | See Source »

Borrowing a friend's automobile, he bucks traffic at Philadelphia's busiest corner. Result: one broken arm for a traffic officer, one damaged trolley car, one bent automobile, one gash on the brow for the showoff, one fine of $1,000 for his relatives to pay. "That's the law for you!" he comments. Reverses of fortune and a good lecture from a sister-in-law render him unabashed. At the end the author makes the show-off partly instrumental in bringing a fortune to the family...

Author: /time Magazine | Title: The Theatre: New Plays: Feb. 18, 1924 | 2/18/1924 | See Source »

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