Word: shows
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Dates: during 1940-1949
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...blown-up Lorelei, the script is a sadly watered-down Blondes; and the score is almost everywhere commonplace. Lorelei's less rapacious pal Dorothy (Yvonne Adair), after having all the life knocked out of her in the script, takes up a lot of dull romantic room in the show. And Dancer Anita Alvarez, who is always good for an eccentric specialty or two, is foolishly converted into a standby...
Thanks to Comedienne Channing's song numbers and to some fast, youthful Agnes de Mille dance routines, the show achieves an air of liveliness in places. What it never achieves is any real feeling of the '20s, or the right nostalgia for them...
...Manhattan gallery last week. Culled from some 10,000 entries, the pictures on display were all related in one way or another to Christmas; they had been painted for a $28,000 contest sponsored by the U.S. manufacturer of "Hallmark" cards (TIME, July 4), and many of them would show up on Christmas-card counters eventually...
...stoop, and its only hint of Christmas was the sharp red of a couple of poinsettias in the boy's hand. But the red, contrasted with the dirty gloom of the rest of the picture, was enough; it made Journey one of the most moving canvases in the show. Edmund Lewandowski had chosen the Three Kings for a subject, and turned the Magi into a composite playing card. The result was not as handsome as real playing cards, but it had style and force...
...problem of building a functional church involves more than letting the construction materials show. The function of a church, after all, "is primarily one affecting the spiritual and emotional side of man." In other words, modern "expendable" churches may be bare but not barren, small but not confining. What the architects must achieve in new ways, concludes the FORUM: "Dignity, loftiness and reverence...