Word: shows
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Dates: during 1940-1949
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...second show, the band went back to the sweet and swoony, and it was lucky they did. The Chicago Herald & Examiner's redoubtable Critic Ashton Stevens covered the performance, closed his review with the line that, for dancers, has identified Guy Lombardo and his Royal Canadians through two decades: "The sweetest music this side of heaven." Probably because Guy has kept it the same old sweet and danceable way ever since, he has survived-while ripplers, swingsters, hoppers and scoffers who called him the "King of Corn" fell by the wayside. And because he survived, and earned a reputation...
...four miles from the center of Ciudad Juarez, Mexico (pop. 48,881), made a fearful bang and dug a crater 24 feet deep and 40 feet in diameter. No one was hurt, and the people of Juarez, enjoying their spring fiesta, thought the bang was part of the show. But the diplomatic repercussions were painful. The White Sands brass, covered with cold sweat, told Karsch to work out a system for riding herd on rockets...
Through its two telescopic eyes, the brain watches the rocket. Out of the brain flow figures which show accurately where the rocket will hit. Safety Director Karsch watches these figures. If they should coincide, for instance, with the position of Albuquerque, he could cut off the fuel, change the course of the rocket, and save that unsuspecting city...
...artists named Maurer had shows in Manhattan. One was a 99-year-old curiosity, spruce and sprightly Louis Maurer, the last living Currier & Ives illustrator, whose traditional sporting prints and genre scenes had sold like hotcakes in the mid-19th Century. The other was slender, sad-eyed Alfred, his 62-year-old bachelor son, who painted hard-to-sell pictures of elongated, wistful shop girls and abstractions of heads and still lifes that were anything but traditional. Papa Maurer's show was a huge success to which son Alfy's was little more than a half-noticed footnote...
Last week the tables were turned. Peppery Louis Maurer's works were safely tucked away in brochures of Americana or relegated to den and study walls, but Alfred's paintings were drawing crowds to a big, impressive Maurer show at Minneapolis' Walker Art Center...