Word: shows
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Dates: during 1940-1949
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Hall is doing the answering, and feels that it will take him quite a while to reply to everybody. "The letters are so very cordial," he says. "It does show that America is willing to help us if we can supply something they want." Three American authors, however, supplied something that Editor Hall wanted: three first-rate manuscripts. Said Hall: "It shows the class of readers TIME must have. They were exactly what we wanted: a modern setting with traditional methods, clean and dignified, no sex and no brutality -just sheer deduction in the grand tradition...
...Parisian rip who bawls out this ditty, 70-year-old stage & screen Actress Ethel Grimes does a vigorous job that comes nearest to giving the show the comedy it badly needs. The young people in the cast-Mary McCarty, Allyn McLerie, Eddie Albert-are all pleasant enough, but their roles are definitely on the stale side. What does most to relieve the sameness and tameness of Miss Liberty are Jerome Robbins' gay, rowdy dances. They are much the best thing in the show...
...with a bad product. Eversharp lost $3.4 million in 1947; its stock fell from 25⅞ to 10¼. In November 1946, Straus had bought control of the Schick injector razor, looking for a cushion against hard times. He got a cushion all right (the razor division helped Eversharp show a $1.2 million profit last year), but there was a big pin in it. The pin was R. Howard Webster. To get the razor company, Straus had to take Webster, a big Schick stockholder, into Eversharp as a director. That was the beginning of Straus...
Died. Walt Kuhn, 68, "the Rembrandt of Show Business," painter of vaudeville and circus subjects (The Blue Clown); after long illness; in White Plains, N. Y. A champion of modern art ("Good painters are never intellectuals; they're simply people with one-track minds"), Kuhn helped run the famed 1913 Armory Show, which introduced the U.S. to Picasso, Van Gogh, Gauguin and Matisse...
Gatsby tries hard, in some respects, to be a good movie. Its musical score, costumes and sets show painstaking research and a kind of wistful desire to be true to the novel. In individual scenes, in fact, Elliott Nugent's shrewd direction achieves an illusion of complete authenticity. But there are signs aplenty of heavyhanded tampering and cutting, and an unconscionable distortion of the novel's tone and intention. Like most second-rate copies, Gatsby captures much of the detail, but defaults on the grand design...