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Word: shows (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...psychoanalyst who studied the doodles without knowing who drew them, they point to "an inner tension that is jampacked with jarring elements. The drawings hit you like chaos on the part of the mind that drew them." He notes the phrase "Howmuchcanonegive," and says such stringing together of words "shows a lack of respect for the integrity of things" and people. The starlike figures, covered over or enclosed in circles, represent "guilt or attempts at control over aggression." The drawings of armless beings "are goonish and ludicrous, which may show a demeaning and devalued view of people...

Author: /time Magazine | Title: Nation: Hippies and Violence | 12/12/1969 | See Source »

...show fellows recent American work beginning with the Abstract Expressionists, and progressing through various experiments by color abstractionists up to Minimal Artists, Pop with its familiar fandango of images, and a few other works that stand outside the mainstream of the New York School are also there. The museum gives each artist a lot of space, usually at least half a room, so the viewer can see some progression of the individual's style...

Author: By Cyntiha Saltzman, | Title: At the Met New York Painting and Sculpture 1940-1970 at the New York Metropolitan Museum of Art until February 1. | 12/11/1969 | See Source »

Though some have criticized the show for not being totally representative of current American art in its selection of works, never before has such an exciting large group of contemporaries been assembled. It is a feast of hues and shapes that draws you into the process of discovering the possibilities left to painting and sculpture. Before the entrance of this show at the bottom of the long stone staircase in the museum, your eye is pulled through space above to a white mobile. The presence of this Calder bird prepares the senses for their audience with the reigning court...

Author: By Cyntiha Saltzman, | Title: At the Met New York Painting and Sculpture 1940-1970 at the New York Metropolitan Museum of Art until February 1. | 12/11/1969 | See Source »

...Unruh sees it as predictable that he could not support Humbhrey and those who would not change the course of the war, it is not as clear to an outsider. Many of the John Kennedy men were more devoted to the family name than the issue. This did not show up in the plank fight so much, but the Humphrey McCarthy nomination fight made the issue clear. McCarthy, though he represented the war issue clearly, was unacceptable for many Kennedy men because he would not return the Kennedy-government-in-exile...

Author: By Ronald H. Janis, | Title: The Education of Jesse Unruh | 12/11/1969 | See Source »

What the convention decision does show is the education that Unruh had received from Vietnam. He, unlike a great many others, learned from the war that no institution could prevent a man from having poor judgment, or making a bad decision. He learned that nothing could be accepted without question, and he showed in opposing Humphrey that he could not accept someone who did not share that view...

Author: By Ronald H. Janis, | Title: The Education of Jesse Unruh | 12/11/1969 | See Source »

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