Word: shows
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Dates: during 1970-1979
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Drawn animation is probably most common, but volition can be endowed to objects, to photographs, to silhouettes and collages--the weekend after this, Center Screen features a show of cut-out animation exclusively. All of these devices are represented in the New Personal Animation. For example, in Part II, pixillation, or accelerated live-action footage, constitutes Los Ojos, by Gary Beydler, and Stephen Weatherkill's The Walker employs the mysteries of the optical printer, too multifarious for this writer to relate, to fill the walker's silhouettes with different background and patterns than his rightful landscape...
...fortuitous that one of the animators for Poets on Film was Veronika Soul, whose own film in the show, How the Hell Are You?, gives the audience a chance to take in her fast, ironical style. Her addition to last weekend's program, Tales from the Vienna Woods, based on the letters of Sigmund Freud, was equally eerie and compelling and funny. Her films, like Vera Neubauer's Animation for Live Action, are disturbing collages of live action film, rotoscoping, photography, freehand drawing, and photography of photography, with radical feminism and black humor. Soul's How the Hell...
...know, probably, there have been many many experiments under way in this country me of which have failed, some of which show promise of success. The one thing about all of them is that they say, 'go slow.' You don't see results overnight and it would be a mistake to anticipate getting results overnight. In GM corporation where we've been taking the lead in the automobile industry in introducing such programs, we've had some pretty good success. Local unions seem enamoured of QWL programs where they've had a taste of introducing and initiating them. There...
...usable as Haley in Roots 11. But Jones pulled out of the first series because of a scheduling conflict and was available this time. That was lucky: with his natural air of authority, easy warmth and physical resemblance to Haley, this actor was the only obvious candidate for the show's crucial role...
...Strategy of Conflict, a work he had come across at Stanford. He stabbed his wrists with broken glass, producing pools of blood that horrified his guards and made them end their interrogations. "I felt the only way I could really deter and stop the flow of questioning was to show a commitment to death," remembers Stockdale. "I don't think that I intended to die, but I intended to make them think that I was ready to die." That act earned him the Medal of Honor...