Word: shows
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Dates: during 1980-1989
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...rather than John Q. Public who is the first- time gun buyer these days. Guns have long been viewed as a symbol of male sexual power and arrogance, an attitude captured by the Beatles' song Happiness Is a Warm Gun. Yet surveys by Gallup for Smith & Wesson, the gunmaker, show that the number of women purchasing firearms increased 53% between 1983 and 1986, while the number thinking of buying one quadrupled, to nearly 2 million. Many of those plans have undoubtedly turned into purchases, though no updated figures are available...
GOYA AND THE SPIRIT OF ENLIGHTENMENT, Museum of Fine Arts, Boston. This superb show rescues the Spanish master from the romantic shadows of the Goyaesque and presents him as a man immersed in the liberal currents of his time. Through March...
...showcase for remarkable performers and the visual panache of its creators, Claudio Segovia and Hector Orezzoli (Tango Argentino, Flamenco Puro), this is gorgeous and joyous entertainment. And in its reverence for veteran talents, the kind who have bounced from headlining to working as kitchen help and back again, the show is faithful to the folkloric traditions of tap, jazz and blues...
...dancing opens with a traditional tap challenge, each man showing his best stuff in turn. Savion Glover, 15, who enacted The Tap Dance Kid on Broadway in 1983, is predictably upstaged by such snowy-haired hoofers as Bunny Briggs, Lon Chaney and Ralph Brown. Glover reappears in a breakneck gymnastic number, hopping up and down stairs, while his elders return in slow, sentimental sequences to demonstrate the traditional tap presumption that less can be more. That is in contrast to the basic notion of Black and Blue, which seems to be that more is more. Yet in the understated moments...
When his late-night show debuted on NBC in 1982, David Letterman was a young stand-up comic known mainly for occasional stints as a Tonight show guest host. Now, as his own show prepares to celebrate its seventh anniversary, Letterman has established himself as the medium's most inventive * and influential comic. Like Saturday Night Live in the '70s, Late Night with David Letterman has defined the cutting edge of TV comedy in the '80s: hip, irreverent, self-parodying, both scornful of and fascinated by the cliches of show business. Sitting in his Rockefeller Center office recently after...