Word: shows
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Dates: during 1980-1989
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Actually, the Pat Sajak Show has stationed itself carefully between those twin towers of late night, Carson and David Letterman. Like Letterman, Sajak has a touch of self-mocking irony and presides over irreverent comedy bits, which range from funny (Sajak goes to the doctor) to lame (audience members are enlisted to play Dunk an Auto Mechanic). But the show's physical look (band on the right, desk and couch on the left) and format (opening monologue followed by brief chat with easygoing sidekick), along with the host's witty but nonthreatening style, are all unmistakably Carson...
...asked Baseball Commissioner Peter Ueberroth about beer drinking at the ballpark. When actor Charlie Sheen alluded to a past run-in with the law, Sajak politely refrained from pressing ahead but at least seemed aware of why. "I wouldn't want to * break a time-honored talk-show tradition and ask a follow-up question," he cracked. What's encouraging is that Sajak gives the impression that someday he might...
...Show Business...
This fascinating show deals with an area of art about which most non-Germans know next to nothing. Beethoven, of course, everyone knows. Goethe is more invoked than read. But one would be hard pressed to find much public recognition of their contemporaries in painting. There is Caspar David Friedrich, the darling of the art historians, with his cloaked and silent watchers, his chilly crags and moonstruck ships. But Philipp Otto Runge? Carl Gustav Carus? Franz Pforr and Julius Schnorr von Carolsfeld? Johann Overbeck? Franz Horny or Adrian Zingg? Not household names, exactly -- yet interesting and sometimes remarkable artists...
...browse through this show is to be vividly reminded of the continuities in the past two centuries of German art. Some are not altogether welcome. That gentle, scholarly neoclassicist Johann Tischbein, the friend and portraitist of Goethe, would have been aghast to see what German state culture in the 1930s got up to -- and yet the first item in this show, his elaborate drawing entitled The Power of Man, 1786, showing a hunter and his young companion on horseback dragging home the carcasses of a lion and a huge eagle, predicts many of the elements of Nazi classicism...