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...determined-to-change-your-mind new show at the Los Angeles County Museum of Art (LACMA) is called "Renoir in the 20th Century." It could just as well have been called "Renoir: The Problem Years." Take one look at a painting like Bather Sitting on a Rock, and the problem is obvious: cupcakes don't get much more scrumptious than this. Which is another way of saying that a whole line of mildly lubricious babes, from the phosphorescent nymphs in Maxfield Parrish to Tinkerbell and the Playboy bunny, owe something to the old man's influential wet dream of classical...
...Paris' Andy Warhol show...
...time, Renoir worked with figures so strongly outlined that they could have been put down by Ingres with a jackhammer. By 1892, the year with which the LACMA show starts, he had drifted back toward a fluctuating Impressionist brushstroke. Firmly contoured or flickering, his softly sculpted women are as full-bodied as Doric columns. This was one of the qualities that caught Picasso's eye, especially after his first trip to Italy, in 1917. He would assimilate Renoir alongside his own sources in Iberian sculpture and elsewhere to come up with a frankly more powerful, even haunting, amalgam...
That picture is in the LACMA show, along with works by Matisse, Bonnard and Maillol, to demonstrate Renoir's influence. What's apparent from these, however, is that Renoir was most valuable as a stepping-stone for artists making more potent use of the ideas he was developing. The heart of the problem is the challenge Renoir set for himself: to reconcile classical and Renaissance models with the 18th century French painters he loved. To synthesize the force and clarity of classicism with the intimacy and charm of the Rococo is a nearly impossible trick. How do you cross...
...like Healing Hands for Haiti, based in Salt Lake City, have long had clinics in Haiti to fit victims with replacement limbs and even teach Haitians how to manufacture them - important since the country's rock-bottom education levels hardly meet the sophisticated design demands of prosthetics. But studies show that before the quake, less than a quarter of Haitian amputees ever had access to replacement limbs. (Healing Hands says much of its Port-au-Prince clinic was severely damaged in the temblor.) Most previous amputees were like Verly Boulevard, 31, who lost a leg in a car crash...