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Hickey adds, “The show is for the little kids. It’s a really silly fairy tale, and it’s nothing serious. The show is about exposing kids to theater and having community involvement in the Arts First weekend.” Although the show is primarily targeted at much younger audiences, the performances nevertheless draw a wide range of age groups. Sterle explains, “There’s definitely humor in the show that undergraduates and adults will understand and find amusing,” he says...

Author: By Chris A. Henderson, CONTRIBUTING WRITER | Title: The Ugly Duckling | 4/27/2010 | See Source »

Though “Pericles” has its dark moments, it is ultimately a comedy. “Pericles is just a normal guy who encounters the wackiest of the wacky, and humors us all as he navigates through the horror show of his travels,” Federman says...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Pericles | 4/27/2010 | See Source »

...very little experience in lighting design. “I had done some design in high school on a very small scale,” he explains, “but I never had any formal lessons. During my freshman spring I just started assisting on all kinds of shows and learned that way.” But according to Beth G. Shields ’10, former president of the Harvard-Radcliffe Dramatic Club (and Zellmann-Rohrer’s girlfriend), Zellmann-Rohrer’s knack for lighting design has never been hindered by a lack of formal...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Michael Zellmann-Rohrer ’10 | 4/27/2010 | See Source »

...still intend to see as much theater as possible. I’ll definitely miss it.” And the Harvard theater community is sure to reciprocate the feeling, says Shields. “Whenever Michael isn’t doing the lighting for a show, the theater feels empty without him,” she says. “Most people who have seen a Harvard theater production have been inspired by him, whether they realize it or not. He will be sorely missed...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Michael Zellmann-Rohrer ’10 | 4/27/2010 | See Source »

With its spirits and character transformations, giants and magic beans, it would be an understatement to call “Into the Woods” a technically complicated play. Despite being interrupted with a few sound-system hiccups, this production’s technical realization of the show is subtle, but deliberate and creative. From the booming voice of the giantess to the smoke that appears alongside the spells of the Witch, the production effectively establishes the magical world of the woods without distracting from the vocal work and acting of the remarkable cast...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Into the Woods | 4/27/2010 | See Source »

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