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...Prisoner keeps some of version 1.0's hallmarks, notably Rover, a balloon-like orb that patrols the Village and enforces discipline. But thematically, it at once changes very much and too little. For instance, in McGoohan's show--a Cold War story of totalitarianism--giving the Villagers numbers made chilling sense as a dehumanizing, de-individualizing device (and 40 years ago, played a tad more original). But for The Prisoner's new dystopia, which seeks to control minds more than imprison bodies, it doesn't quite fit. One would think the Village's happy-faced thought control would...
Aesthetically, the new Prisoner is a feast. The Village, manicured and painted in cartoon pastels, has a menacing gaiety. (The show was filmed on location in southern Africa, and it's shot through with gorgeous lemony light.) The miniseries shows flashes of surreal playfulness: the only foods served at any occasion in the Village, for instance, are wraps. (You just knew they were evil.) And the sound track is heavy on Brian Wilson's Smile, his opus begun around the time of the original Prisoner, which lends this version a dreamlike carnival tone...
...monolithic institution we meet in "Bauhaus 1919-1933: Workshops for Modernity," a new show at the Museum of Modern Art (MOMA) in New York City, which runs there until Jan. 25. It's a collective of fierce individuals and a continuing work in progress. But while the school may have been a group enterprise, it was largely the creation of one man. In 1919, the year it opened, Walter Gropius was a young German architect recovering from dual traumas--World War I and his turbulent first marriage to the formidable Alma Mahler. One of history's supreme narcissists, she betrayed...
...Bauhaus way of thinking, geometric abstraction was the language of modernity, and the grid was one of its most powerful instruments, a formal system that could confine Expressionist excesses. In the catalog to the MOMA show, which was organized by curators Barry Bergdoll and Leah Dickerman, there's a color photograph of Gropius' righteously Cartesian office, with a right-angular chair resting on a grid-patterned carpet and a grid-patterned tapestry hanging on one wall...
...would like to eventually be known as more than just that guy on YouTube," he says.) For two years, Irena Schulz has been fielding media offers for Snowball the cockatoo, whose Backstreet Boys dance has been seen nearly 3.3 million times. The former molecular biologist in Dyer, Ind., chooses shows for her bird carefully and has drafted legal agreements to make sure he'll be portrayed in a positive light. But despite appearances on The Late Show with David Letterman and Good Morning America, she says viral videos aren't a sure ticket to the good life. "People think...